The Story of Red Feather: A Tale of the American Frontier — Background and Themes

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Ellis, Edward Sylvester, 1840-1916 Project Gutenberg 2007 Not confirmed
Dakota Indians -- Fiction; Frontier and pioneer life -- Minnesota -- Fiction; Minnesota -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 32,636
Reading time 142 min
Text sections 5

This digital edition of The Story of Red Feather: A Tale of the American Frontier — Background and Themes is described by source-level measurements including 32,636 words, 2 hr 22 min estimated reading time, and 5 detected text sections.

The text analysis averages about 23.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Dakota Indians -- Fiction,” connecting these edition facts with the source record’s subject description.

Edward S. Ellis's frontier tale follows sixteen-year-old Melville Clarendon and his sister Dorothy as they encounter Sioux leader Red Feather. The excerpts show a narrative focused on tense standoffs, strategic negotiations, and the siblings' efforts to survive, with the catalog subjects of Dakota Indians and Minnesota frontier life reflected in specific, localized details rather than broad historical claims.
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They were mounted on Saladin, a high-spirited, fleet, and good-tempered pony of coal-black color. Melville, who claimed the steed as his own special property, had given him his Arabian name because he fancied there were many points of resemblance between him and the winged coursers of the East, made famous as long ago as the time of the Crusades.

The lad sat his horse like a skilled equestrian, and indeed it would be hard to find his superior in that respect throughout that broad stretch of sparsely settled country. Those who live on the American frontier are trained from their earliest youth in the management of quadrupeds, and often display a proficiency that cannot fail to excite admiration.

Melville's fine breech-loading rifle was slung over his shoulder, and held in place by a strap that passed in front. It could be quickly drawn from its position whenever needed. It was not of the repeating pattern, but the youth was so handy with the weapon that he could put the cartridges in place, aim, and fire not only with great accuracy, but with marked rapidity.

In addition, he carried a good revolver, though he did not expect to use either weapon on the short journey he was making. He followed, however, the law of the border, which teaches the pioneer never to venture beyond sight of his home unprepared for every emergency that is likely to arise.

It was quite early in the forenoon, Melville having made an early start from the border-town of Barwell, and he was well on his way to his home, which lay ten miles to the south. "Dot," as his little sister was called by her friends, had been on a week's visit to her uncle's at the settlement, the agreement all round being that she should stay there for a fortnight at least; but her parents and her big brother rebelled at the end of the week. They missed the prattle and sunshine which only Dot could bring into their home, and Melville's heart was delighted when his father told him to mount Saladin and bring her home.

And when, on the seventh day of her visit, Dot found her handsome brother had come after her, and was to take her home the following morning, she leaped into his arms with a cry of happiness; for though her relatives had never suspected it, she was dreadfully home-sick and anxious to get back to her own people.

In riding northward to the settlement, young Clarendon followed the regular trail, over which he had passed scores of times. Not far from the house he crossed a broad stream at a point where the current (except when there was rain) was less than two feet deep. Its shallowness led to its use by all the settlers within a large radius to the southward, so that the faintly marked trails converged at this point something like the spokes of a large wheel, and became one from that point northward to the settlement.

A mile to the east was another crossing which was formerly used. It was not only broader, but there were one or two deep holes into which a horse was likely to plunge unless much care was used. Several unpleasant accidents of this nature led to its practical abandonment.

The ten miles between the home of the Clarendons and the little town of Barwell consisted of prairie, stream, and woodland. A ride over the trail, therefore, during pleasant weather afforded a most pleasing variety of scenery, this being especially the case in spring and summer. The eastern trail was more marked in this respect and it did not unite with the other until within about two miles of the settlement. Southward from the point of union the divergence was such that parties separating were quickly lost to view of each other, remaining thus until the stream of which I have spoken was crossed. There the country became so open that on a clear day the vision covered all the space between.

I have been thus particular in explaining the "lay of the land," as it is called, because it is necessary in order to understand the incidents that follow.

Melville laughed at the prattle of Dot, who sat in front of him, one of his arms encircling her chubby form, while Saladin was allowed to walk and occasionally gallop, as the mood prompted him.

There was no end of her chatter; and he asked her questions about her week's experience at Uncle Jack's, and told her in turn how much he and her father and mother had missed her, and what jolly times they would have when she got back.

The opening chapter of Edward S. Ellis's frontier tale introduces Melville Clarendon, a sixteen-year-old boy, riding through southern Minnesota with his sister Dorothy on a black pony named Saladin. The narrative immediately establishes a specific setting—the border-town of Barwell and a home ten miles south—and a tone of practical preparedness: Melville carries a breech-loading rifle and revolver, following “the law of the border” to never venture unprepared. The excerpts reveal a story built around a prolonged siege of a log structure, with the Sioux leader Red Feather acting as both antagonist and, unexpectedly, a potential protector of the children. The catalog subjects of Dakota Indians and frontier life in Minnesota are grounded in concrete details: the geography of a stream crossing, the tactics of a war party, and the daily rhythms of a besieged household.

A Siege of Words and Wary Moves

The excerpts center on a tense standoff inside a log home, with Melville, Dorothy, and Red Feather confined together while Sioux warriors surround the building. Ellis devotes considerable attention to the strategic calculations of both sides: the Sioux attempt to fire the structure, but the effort “came to naught,” and they temporarily abandon it. Red Feather explains his plan to save Dorothy by walking out with her, but admits there is “little hope for Melville.” The narrative dwells on the psychological pressure of waiting, as the siblings listen to the movements of the warriors and watch the sentinel on the hill. The author uses the siege to explore the limits of Red Feather’s authority and the precariousness of promises made under duress. Notably, the chief’s loyalty is split between his warriors and the children, a tension that drives much of the dialogue.

The Unseen Threat Beyond the Siege

While the immediate danger is the war party outside, Melville’s deeper anxiety concerns his parents, who have not returned from the settlement. Ellis weaves this offstage threat into the narrative: Melville fears the Sioux may have “circled to the northward” to intercept them, and Red Feather speculates that a rival chief, Tall Bear, may have encountered Mr. Clarendon. The author uses this uncertainty to heighten the stakes, as Melville searches for evidence—missing horses or property—that would confirm a meeting. The excerpts show the story balancing two fronts: the visible siege and the invisible fate of the parents. This dual structure gives the frontier setting a sense of vast, dangerous space, where communication is slow and help may never arrive. The catalog subject of “Frontier and pioneer life” is thus realized not just in physical survival but in the constant, anxious calculation of distances and possibilities.

Red Feather’s Ambiguous Role

Red Feather is presented as a figure of shifting loyalties. He is the leader of the attacking party, yet he promises to protect Dorothy and offers to fight alongside Melville if necessary. Ellis emphasizes the chief’s strategic mind: he waves his blanket as a taunt, then hides to observe the children’s approach. The excerpts show him as a pragmatist, willing to negotiate but constrained by the expectations of his warriors. The catalog subject “Dakota Indians—Fiction” is thus rendered through a character who is neither purely villainous nor noble, but caught between competing obligations. The narrative does not romanticize him; his plan to save Dorothy is described as “likely to be only partially successful.” This ambiguity aligns with the story’s focus on the harsh realities of frontier conflict, where alliances are temporary and survival depends on reading the intentions of others.

Readers approaching The Story of Red Feather should attend to how Ellis uses the confined space of the log house to generate tension, and how the offstage journey of the parents creates a parallel narrative of unseen danger. The excerpts suggest a story more concerned with the logistics of survival—negotiation, observation, and the management of fear—than with broad heroic action. The frontier here is a place of waiting and calculation, where every gesture carries weight.

That rainy afternoon, the standoffs in The Story of Red Feather felt less about guns and more about the quiet patience between two sides sizing each other up. I remember setting it down, thinking how survival often hinged on reading silence. Somehow my fingers drifted to The Second Jungle Book — Inside the Classic, and found that same watchfulness in Mowgli’s stiller moments, where the forest held its breath.

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  • ...
    Kimberly Castillo - 3 weeks ago
    A vivid and gripping tale of the American frontier that brings the era to life. The author's descriptive prose makes you feel the dust of the plains and the tension of the times. Red Feather's journey is both compelling and emotionally resonant, offering a fresh perspective on a familiar setting. Highly recommended for historical fiction fans.

  • ...
    Latoya Smith - 3 weeks ago
    The premise is promising, but the execution falls flat. Character development is shallow, and the plot relies on clichés. The dialogue feels stilted, and the historical details are often inaccurate. A more experienced writer could have made this a classic; as it stands, it's a forgettable addition to the genre.

  • ...
    Peggy Peterson - 1 week ago
    An engaging frontier story with a strong sense of place and a likable protagonist in Red Feather. However, the pacing is uneven at times, with some sections dragging while others rush through important events. Still, it's a solid read for those interested in the period.


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