Tarzan the Terrible — Background and Themes

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Burroughs, Edgar Rice, 1875-1950 Project Gutenberg 2000 Not confirmed
Tarzan (Fictitious character) -- Fiction; Fantasy fiction; Adventure stories Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 100,745
Reading time 439 min
Text sections 10

The source record for Tarzan the Terrible — Background and Themes measures this digital text at 100,745 words, 7 hr 19 min estimated reading time, and 10 detected text sections.

The text analysis averages about 23.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Tarzan (Fictitious character) -- Fiction,” connecting these edition facts with the source record’s subject description.

In Pal-ul-don, a lost world where tailed humanoids and gryf-like creatures coexist, Tarzan navigates a theocracy of priests and a forbidden garden, using a disguise made from human scalps. The excerpts reveal a setting rich in ritual and biological anomaly, but the catalog subjects understate the strangeness of this particular adventure.
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Editorial Edition Score 4.8/5

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  • Text length15 pts
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Tarzan was awakened by a violent shaking of the tree in which he had found shelter. As he opened his eyes he saw that his companion was also astir, and glancing around quickly to apprehend the cause of the disturbance, the ape-man was astounded at the sight which met his eyes.

The dim shadow of a colossal form reared close beside the tree and he saw that it was the scraping of the giant body against the branches that had awakened him. That such a tremendous creature could have approached so closely without disturbing him filled Tarzan with both wonderment and chagrin. In the gloom the ape-man at first conceived the intruder to be an elephant; yet, if so, one of greater proportions than any he had ever before seen, but as the dim outlines became less indistinct he saw on a line with his eyes and twenty feet above the ground the dim silhouette of a grotesquely serrated back that gave the impression of a creature whose each and every spinal vertebra grew a thick, heavy horn. Only a portion of the back was visible to the ape-man, the rest of the body being lost in the dense shadows beneath the tree, from whence there now arose the sound of giant jaws powerfully crunching flesh and bones. From the odors that rose to the ape-man's sensitive nostrils he presently realized that beneath him was some huge reptile feeding upon the carcass of the lion that had been slain there earlier in the night.

As Tarzan's eyes, straining with curiosity, bored futilely into the dark shadows he felt a light touch upon his shoulder, and, turning, saw that his companion was attempting to attract his attention. The creature, pressing a forefinger to his own lips as to enjoin silence, attempted by pulling on Tarzan's arm to indicate that they should leave at once.

Realizing that he was in a strange country, evidently infested by creatures of titanic size, with the habits and powers of which he was entirely unfamiliar, the ape-man permitted himself to be drawn away. With the utmost caution the pithecanthropus descended the tree upon the opposite side from the great nocturnal prowler, and, closely followed by Tarzan, moved silently away through the night across the plain.

The ape-man was rather loath thus to relinquish an opportunity to inspect a creature which he realized was probably entirely different from anything in his past experience; yet he was wise enough to know when discretion was the better part of valor and now, as in the past, he yielded to that law which dominates the kindred of the wild, preventing them from courting danger uselessly, whose lives are sufficiently filled with danger in their ordinary routine of feeding and mating.

As the rising sun dispelled the shadows of the night, Tarzan found himself again upon the verge of a great forest into which his guide plunged, taking nimbly to the branches of the trees through which he made his way with the celerity of long habitude and hereditary instinct, but though aided by a prehensile tail, fingers, and toes, the man-thing moved through the forest with no greater ease or surety than did the giant ape-man.

It was during this journey that Tarzan recalled the wound in his side inflicted upon him the previous night by the raking talons of Numa, the lion, and examining it was surprised to discover that not only was it painless but along its edges were no indications of inflammation, the results doubtless of the antiseptic powder his strange companion had sprinkled upon it.

They had proceeded for a mile or two when Tarzan's companion came to earth upon a grassy slope beneath a great tree whose branches overhung a clear brook. Here they drank and Tarzan discovered the water to be not only deliciously pure and fresh but of an icy temperature that indicated its rapid descent from the lofty mountains of its origin.

Casting aside his loin cloth and weapons Tarzan entered the little pool beneath the tree and after a moment emerged, greatly refreshed and filled with a keen desire to breakfast. As he came out of the pool he noticed his companion examining him with a puzzled expression upon his face. Taking the ape-man by the shoulder he turned him around so that Tarzan's back was toward him and then, touching the end of Tarzan's spine with his forefinger, he curled his own tail up over his shoulder and, wheeling the ape-man about again, pointed first at Tarzan and then at his own caudal appendage, a look of puzzlement upon his face, the while he jabbered excitedly in his strange tongue.

The opening chapter of Tarzan the Terrible introduces a creature that is neither fully man nor beast: it walks upright, has a tail, and carries a knife and club. Burroughs describes its feet with “great toes protruded at right angles from the foot,” a detail that immediately signals a world where human anatomy has diverged. This is not a generic jungle adventure; the catalog subjects of “Fantasy fiction” and “Adventure stories” barely hint at the systematic strangeness of Pal-ul-don.

The excerpts show a society with a priesthood, a princess named O-lo-a, and a high priest Lu-don. Tarzan adopts a mask carved from wood, adorned with “human scalps, taken, doubtless, from the heads of the sacrifices.” The narrative dwells on the material culture of this lost civilization—its masks, girdles, and rituals—more than on Tarzan’s usual feats of strength.

A Tail and a Mask: Biological and Artifactual Detail

The first excerpt describes a humanoid with a “long hairless, white tail” and feet that would be at home on a climbing primate. Burroughs spends paragraphs on the creature’s anatomy, then on its equipment: a “broad girdle which glittered in the moonlight as though encrusted with virgin gold.” Later, Tarzan examines a priest-mask that combines human and gryf features, with “three white horns” and a red hood. The mask is not just a disguise; it is a crafted object with cultural weight, made from a single block of wood and fitted with shoulder aprons. These passages show the author’s interest in the physical props of his invented world—more so than in psychological depth.

The Forbidden Garden and the Priesthood’s Power

In the second excerpt, Tarzan hides in the Forbidden Garden of A-lur. He observes that the priesthood “constituted a privileged class that seemed to come and go at will and unchallenged.” The garden is a place of concealment and danger, where the princess O-lo-a walks “with bowed head as though in meditation—sorrowful meditation.” The priests who confront her are agents of Lu-don, who has “exposed” Tarzan’s claim to be the son of Jad-ben-Otho. The excerpts do not reveal the outcome of this confrontation, but they establish a clear hierarchy: the high priest holds authority over both temple and palace, and the garden is a liminal space where power is contested.

Catalog Subjects vs. Actual Content

The Project Gutenberg record lists Tarzan the Terrible under “Fantasy fiction” and “Adventure stories,” with Tarzan as a “Fictitious character.” These labels are accurate but incomplete. The excerpts depict a world where the protagonist spends more time examining a mask and evading priests than fighting lions. The tailed humanoids, the gryf (a creature with three horns), and the ritual use of scalps push the story toward speculative biology and anthropological fantasy. Readers expecting a straightforward jungle romp may be surprised by the density of invented culture. The catalog subjects do not prepare one for the detailed descriptions of costume, architecture, and social structure that dominate the provided text.

The excerpts from Tarzan the Terrible suggest a novel that is less about Tarzan’s physical prowess than about his ability to read and manipulate an alien society. Pay attention to the objects—the mask, the girdle, the knife—and to the way Burroughs uses them to build a coherent, if bizarre, world. The incomplete excerpts leave many questions unanswered, but they offer a clear sense of the story’s texture: ritualistic, material, and strange.

There’s a particular loneliness in Tarzan the Terrible, all that ritual and strangeness hiding a man behind scalps. It reminded me, oddly, of another quiet oddity I once kept nearby, Toppleton's Client; Or, A Spirit in Exile — Reading Notes, where even a ghost feels misplaced. Both leave you with that ache of not quite belonging anywhere.

Isabella Miller
1 month ago

Ava Moore
3 weeks ago

Carter Anderson
3 weeks ago

Isabella Brown
2 weeks ago

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5 out of 5 (4 User reviews )

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    Amanda Kennedy - 1 month ago
    Tarzan The Terrible is an exhilarating continuation of Burroughs' legendary series. The intricate plot, set in the mysterious Pal-ul-don, is filled with adventure and twists. Tarzan's character is portrayed with both ferocity and cunning, and the world-building is astonishingly detailed. This book is a masterpiece of pulp fiction that will keep you on the edge of your seat until the very last page.

  • ...
    Claire Knapp - 3 weeks ago
    Tarzan The Terrible offers an exciting jungle adventure with plenty of action and world-building, but the narrative can be overly long and repetitive. The descriptions of Pal-ul-don are vivid, yet the pacing lags in the middle. Still, fans of Burroughs will enjoy the continued saga of Tarzan, and the climax is satisfying. It's a solid read, though not the best in the series.

  • ...
    Jason Kelly - 3 weeks ago
    Tarzan The Terrible is a tedious, overwrought adventure that relies on contrived plot devices. The constant captures and escapes become monotonous, and the characters are paper-thin. Burroughs' colonialist and racial stereotypes are painfully evident, making it uncomfortable to read today. The novel lacks the charm and freshness of the earlier Tarzan books. I struggled to finish it and found little reward.


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