Zicci: A Tale — Volume 02 — Themes and Context
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Merton and the Italians arrived in safety at the spot where they had left the mules; and not till they had recovered their own alarm and breath did they think of Glyndon. But then, as the minutes passed and he appeared not, Merton--whose heart was as good, at least, as human hearts are in general--grew seriously alarmed. He insisted on returning to search for his friend, and by dint of prodigal promises prevailed at last on the guide to accompany him. The lower part of the mountain lay calm and white in the starlight; and the guide's practised eye could discern all objects on the surface, at a considerable distance. They had not, however, gone very far before they perceived two forms slowly approaching towards them.
As they came near, Merton recognized the form of his friend. "Thank Heaven, he is safe!" he cried, turning to the guide.
"Holy angels befriend us!" said the Italian, trembling; "behold the very being that crossed me last Sabbath night. It is he, but his face is human now!"
"Signor Inglese," said the voice of Zicci as Glyndon, pale, wan, and silent, returned passively the joyous greeting of Merton,--" Signor Inglese, I told your friend we should meet to-night; you see you have not foiled my prediction."
"But how, but where?" stammered Merton, in great confusion and surprise.
"I found your friend stretched on the ground, overpowered by the mephitic exhalation of the crater. I bore him to a purer atmosphere; and as I know the mountain well, I have conducted him safely to you. This is all our history. You see, sir, that were it not for that prophecy which you desired to frustrate, your friend would, ere this time, have been a corpse; one minute more, and the vapor had done its work. Adieu! good night and pleasant dreams."
"But, my preserver, you will not leave us," said Glyndon, anxiously, and speaking for the first time. "Will you not return with us?"
Zicci paused, and drew Glyndon aside. "Young man," said he, gravely, "it is necessary that we should again meet to-night. It is necessary that you should, ere the first hour of morning, decide on your fate. Will you marry Isabel di Pisani, or lose her forever? Consult not your friend; he is sensible and wise, but not now is his wisdom needed. There are times in life when from the imagination, and not the reason, should wisdom come,--this for you is one of them. I ask not your answer now. Collect your thoughts, recover your jaded and scattered spirits. It wants two hours of midnight: at midnight I will be with you!"
"Incomprehensible being," replied the Englishman, "I would leave the life you have preserved in your own hands. But since I have known you, my whole nature has changed. A fiercer desire than that of love burns in my veins,--the desire, not to resemble, but to surpass my kind; the desire to penetrate and to share the secret of your own existence; the desire of a preternatural knowledge and unearthly power. Instruct me, school me, make me thine; and I surrender to thee at once, and without a murmur, the woman that, till I saw thee, I would have defied a world to obtain."
"I ask not the sacrifice, Glyndon," replied Zicci, coldly, yet mildly, "yet--shall I own it to thee?--I am touched by the devotion I have inspired. I sicken for human companionship, sympathy, and friendship; yet I dread to share them, for bold must be the man who can partake my existence and enjoy my confidence. Once more I say to thee, in compassion and in warning, the choice of life is in thy hands,--to- morrow it will be too late. On the one hand, Isabel, a tranquil home, a happy and serene life; on the other hand all is darkness, darkness that even this eye cannot penetrate."
"But thou hast told me that if I wed Isabel I must be contented to be obscure; and if I refuse, that knowledge and power may be mine."
"Vain man! knowledge and power are not happiness."
"But they are better than happiness. Say, if I marry Isabel, wilt thou be my master, my guide? Say this, and I am resolved."
"Never! It is only the lonely at heart, the restless, the desperate, that may be my pupils."
"Then I renounce her! I renounce love, I renounce happiness. Welcome solitude, welcome despair, if they are the entrances to thy dark and sublime secret."
"I will not take thy answer now; at midnight thou shalt give it in one word,--ay, or no! Farewell till then!"
The mystic waved his hand, and descending rapidly, was seen no more.
The second volume of Zicci: A Tale opens with Glyndon's rescue from volcanic fumes by the mysterious Zicci, who had earlier prophesied their meeting. The episode establishes Zicci as a being of preternatural knowledge and control, able to manipulate events and even the timing of death. Lytton's prose shifts between the concrete—starlit mountain paths, the chill of the crater—and the abstract, as Glyndon's mind becomes consumed by a "fiercer desire than that of love": the longing to surpass human limits and share Zicci's secrets. The narrative quickly introduces a second mysterious figure, a stranger with a "passionless depth of thought," hinting at a broader occult hierarchy.
The Mountain Rescue and Its Aftermath
The opening chapter (X) finds Merton and Italian guides searching for Glyndon after his disappearance on Vesuvius. The guide's terror upon recognizing Zicci—"behold the very being that crossed me last Sabbath night"—marks Zicci as a figure of local legend, his face now "human" rather than demonic. Zicci's explanation for Glyndon's near-death is terse: he was overcome by "mephitic exhalation." Yet the rescue is framed as fulfillment of prophecy, not coincidence. Zicci immediately presses Glyndon to decide whether to marry Isabel di Pisani or lose her forever, linking the supernatural to a romantic ultimatum. The scene establishes a pattern: Zicci appears at critical junctures, offering choices that carry otherworldly weight.
The Gambler's Obsession
By Chapter XVIII, Glyndon's priorities have shifted. Lytton draws an explicit parallel between Glyndon's desire for occult knowledge and the "absorbing passion of the gamester." The narrator observes that "far more intense than the passion of the gamester was the frantic yet sublime desire that mastered the breast of Glyndon." This internal conflict is rendered through the language of addiction: the "despot demon" rules every thought. Glyndon no longer loves Isabel; her image fades after the Prince's death. Instead, he seeks to rival Zicci "not in human and perishable affections, but in preternatural and eternal lore." The text warns that such ambition is folly: "to be enamoured too madly of the goddess of goddesses is only to embrace a cloud."
The Second Mysterious Stranger
When Glyndon arrives at the appointed meeting place by the starry beach, he finds not Zicci but a stranger wrapped in a mantle. This figure's face is "not stamped by the glorious beauty of the Corsican" but is "equally majestic," with an "expanded forehead and deep-set but piercing eyes." The stranger speaks of being "more connected with your destiny, and more disposed to realize your dreams." This introduction of a second occult figure complicates the narrative, suggesting a hierarchy or society of adepts. The stranger's mature age and calm demeanor contrast with Zicci's more volatile presence, and his words imply that Glyndon's fate may be guided by forces beyond even Zicci's control.
The Fate of the Prince and the Wine of Cyprus
Earlier, Zicci confronts Mascari, the Prince's servant, referencing "the wine of Cyprus"—a poison that failed to affect Zicci but could "re-act on others." Zicci's forgiveness is laced with threat: "if the wine should kill me, I promise you that my ghost shall not haunt so worshipful a penitent." The Prince's sudden death, foreshadowed by Zicci's prophecy, is presented as both accidental and willed. Zicci then commands Mascari to lead him to Isabel's chamber, declaring, "the death of the jailer opens the cell of the captive." This sequence illustrates Zicci's ability to turn ordinary events—a servant's betrayal, a poisoned drink—into instruments of his design, while also freeing Isabel from captivity.
Readers approaching this volume should attend to the way Lytton uses setting—the volcanic mountain, the starry beach, the prison chamber—as a stage for metaphysical confrontation. The narrative alternates between swift action and philosophical digression, particularly in Glyndon's internal debates. The introduction of a second mysterious figure near the close suggests that Zicci is not the sole possessor of occult power, and that Glyndon's quest for knowledge may lead him into a larger, more dangerous world. The excerpts leave unresolved whether Glyndon will choose love or forbidden wisdom, and whether Zicci's motives are benevolent or manipulative.
I think of Zicci’s restless seeking, that old hunger for forbidden knowledge, and it reminds me of another quiet volume on my shelf. The Moon is Green — Context and Discussion holds a similar tremor, not of Vesuvius, but of something softer—a green hush where wanting and waiting blur. Both whisper of questions that never quite settle into answers.
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